Amanda Manitach’s imagery invokes issues surrounding female psychology, physicality, and sexuality. Bold, honest, and at times dark thoughts are shared in text, which melts into a soft feminine pattern sourced from a 1885 French wallpaper sample. Her large-scale drawings address the historical, often-gendered psychology of the decorative arts. The pieces are inevitably smudged, worn and covered with fingerprints where the artist’s wrists, hands, knees and limbs have come into contact with the paper, transforming the “pretty” pattern into a record of her thoughts and physical struggle to create.
Manitach’s work has been exhibited at the Frye Art Museum, Bellevue Arts Museum and Tacoma Art Museum. From 2012-2015 she served as curator of Hedreen Gallery at Seattle University. She co- founded and co-directed multiple mixed-use arts spaces in Seattle’s Capitol Hill neighborhood, including TMRW Party and The Factory.Download Full Bio
- With colored pencils and confessional phrases, Amanda Manitach’s art speaks to many The Seattle Times
- Things to Do Seattle Met
- AMANDA MANITACH'S T-SHIRT GIRLS AND WALLPAPER COMMENTARY Juxtapoz Magazine
- Amanda Manitach’s “Dirty” at Winston Wächter Fine Art. Supersonic Art
- The Difference Between Artist Amanda Manitach's Best Work and the Work She's Best Known For The Stranger